100% Coursework which will include:
A written analytical and reflective logbook (2000 words) weighted at 30% which will assess Learning Outcomes 1 and 2
Practical assessment of 70% addressing learning outcomes 3 and 4

Students will be introduced to the fundamental theories and practical of editing moving and static images.
The content will cover:
Colour modes, image, acquisition, basic compression (DCT), print, pixel based image manipulation
Introduce the relevant mathematical theories (number systems, fixed points, algebra, matrices, 2D space, 2D vectors and discrete maths)
Introduction to non-linear editing
The theoretical techniques of editing images and sound
Practical methods for compressing content for DVD, web and film
Juxtaposition of images and sound
Montage theories
Digital asset management

Learning will be lectures, practical tutorials, self -study and technical instruction.

1 hour lecture, 2 hours tutorials per week

Adobe Photoshop
Final Cut Pro
Avid
Digital Academy

Digital Image Processing with Applications to Digital Cinema, K S Thyagarajan, 2006, Focal Press
Matt Kloskowski (2011), Photoshop Compositing Secrets, Peachpit PresS,
Ondaatje Micheal., 2008, The Conversations: Walter Murch and the Art of Editing Film: Bloomsbury Publishing PLC.
Chandler Gael. 2004, Cut by Cut: Editing Your Film or Video: Micheal Wiese Productions
Dancyger Ken, 2006. The Techniques of Film and Video Editing History Theory and Practice: 4th Edition, Focal Press

1. DEMONSTRATE KNOWLEDGE AND UNDERSTANDING OF THE UNDERLYING CONCEPTS AND PRINCIPLES ASSOCIATED WITH VIDEO AND STILL IMAGE EDITING.
[Knowledge & Understanding]

2. DEMONSTRATE THE ABILITY TO REFLECT UPON COMPLETED TASKS.
[Reflection]

3. UNDERTAKE THE FUNDAMENTALS OF VIDEO EDITING AND APPLY THEM TO THE PRACTICAL PROBLEMS. [Application]

4. SOLVE THE PROBLEMS ASSOCIATED WITH THE PRODUCTION, MANAGEMENT AND EDITING AND COMPOSITION OF DIGITAL STILLS AND VIDEO.
[Problem Solving]