Module Descriptors
FILM TECHNOLOGY 2
FILM50224
Key Facts
School of Digital, Technologies and Arts
Level 5
30 credits
Contact
Leader: Paul Ottey
Hours of Study
Scheduled Learning and Teaching Activities: 72
Independent Study Hours: 228
Total Learning Hours: 300
Assessment
  • COURSEWORK weighted at 100%
Module Details
Texts
ALTMAN, R. 1992 Sound Theory Sound Practice, Routledge ISBN: 978-0415904575
D’Souza, S., 2007. Brilliant Networking: What the Best Networkers Know, Say and Do 1st ed., Prentice Hall. GLOMAN, C. (2000) Placing Shadows: Lighting techniques for video production, Focal Press ISBN: 978-0240806617
HOLMAN,T (2007) 5.1 Surround Sound Up and Running, Focal Press ISBN: 978-0240808291
Sound on Film, LOBRUTTO Vincent (1998) Greenwood Press
Sound for Film and Television, HOLMAN, T. (2010) Focal Press
Practical Art of Motion Picture Sound, YEWDALL, D. (2011) Focal Press
Sound Theory Sound Practice, ALTMAN, R. (1992) Routledge
Audio for Television, WATKINSON, John (1997) Focal Press
The Sound Studio, NESBITT, Alec (1995) Focal Press
Multiskilling for Television Production, WARD.P. (2000) Focal Press
Placing Shadows: Lighting techniques for video production, Gloman,C (2005) Focal Press
DAFX: Digital Audio Effects, Udo Zolzer et. al. 2011, Wiley
Foundation Mathematics, D Booth, 1998, Addison Wesley
Digital Audio Signal Processing, Udo Zolzer, 2008, Wiley

Digital Audio Signal Processing, Udo Zolzer, 2008, Wiley
Special Admissions Requirements
Level 4 Film Technology or equivalent.
Resources
HD and DSLR Cameras and support equipment.
Editing software.
Digital location audio recording equipment and microphones.
Portable lights.
Word processing facilities
Learning Strategies
The course will involve a combination of tutor-led lectures and seminars totalling 3 hours per week and will include independent learning.

12 x 1hr Lecture
12 x 2hr laboratory sessions with group work
1 x 2hr Film showing

Key Information Set Data:
24% Scheduled Learning and Teaching Activity
76% Guided Independent Learning
Indicative Content
1. Analysis of technical elements in relation to analogue, digital film and audio production.
2. Techniques of location and studio based audio-visual recording.
3. Introduction to waveform generation and element analysis software.
4. Application of waveform software to digital audio and film.
5. Construction of audio-visual material for a short section of film.
6. Construction of narrative pacing for a short film.
Additional Assessment Details
100% Coursework comprising of:

Semester 1:
1) Group Film Pitch Presentation (15%). Learning Outcomes 1, 2, 3 and 5.
2) Group Production Portfolio - (15%). Learning Outcomes 1, 2, 3 and 5.

Semester 2:
3) Individual - Film Production Technical Class Test (20%). Learning Outcomes 1, 3 and 5.
4) Group production of 5 minute audio-visual film product (50%). Learning Outcomes 1, 2, 3, 4 and 5. To include Fast Track or Full Application University Ethics form.

Key Information Set Data: 100% Coursework
LEARNING OUTCOMES
1. DEMONSTRATE KNOWLEDGE AND UNDERSTANDING OF THE FUNDAMENTALS OF AUDIO AND VIDEO PRODUCTION FOR FILM.
[Knowledge & Understanding]

2. EVALUATE BOTH AUDIO AND VIDEO WORK AND REFLECT UPON THE APPROACH TAKEN FOR IMPLEMENTATION OF AN AUDIO VISUAL PRODUCTION.
[Reflection]

3. DEMONSTRATE KNOWLEDGE OF THE USE OF AUDIO RECORDERS, CAMERAS, VIDEO EDITING, LIGHTING, AND PROGRAMME CREATION EQUIPMENT.
[Learning]

4. APPLY THE PRINCIPLES LEARNT IN THE PRODUCTION OF AN ORIGINAL AUDIO-VISUAL PRODUCTION PIECE.
[Application]

5. COMMUNICATE IDEAS AND TECHNICAL INFORMATION SUCCESSFULLY.
[Communication]