Module Descriptors
FILMMAKING
FILM70378
Key Facts
Digital, Technology, Innovation and Business
Level 7
20 credits
Contact
Leader: Agata Lulkowska
Hours of Study
Scheduled Learning and Teaching Activities: 36
Independent Study Hours: 164
Total Learning Hours: 200
Pattern of Delivery
  • Occurrence A, Stoke Campus, PG Semester 1
Sites
  • Stoke Campus
Assessment
  • Practical - 3 minute Practical Project weighted at 60%
  • Coursework - Critical Reflection 1000 words weighted at 40%
Module Details
Learning Outcomes
Module Learning Outcome University Learning Outcome
1. Evaluate traditional film making processes. Enquiry
2. Synthesise and deploy appropriate decision-making methods and solutions in complex situations. Analysis
3. Employ a practical understanding of established filmmaking techniques. Application
4. Critically evaluate complex technological and creative issues around film making practice. Problem Solving
Additional Assessment Details
1. Practical Project [LO2, 3] - The form of the moving image portfolio is negotiated with the staff team and can comprise a single piece of work or a collection of smaller pieces demonstrating established filmmaking techniques. The focus should be on extending knowledge and understanding of the technology of established filmmaking processes and approaches – the extension of a single skill, skill role or new skill acquirement should be the focus of this work. The individual can collaborate but must take on a key Head of Department role in the production.

2. Individual critical reflection [LO1, 4] The reflection should consider the process and developmental opportunities involved in the creation of the practical project/s for this module. The work should focus on the technical skills deployment implemented and the ways in which this has stretched the student’s knowledge and understanding.

All individually assessed.
Indicative Content
This module provides a broad background to the approaches of what is deemed traditional filmmaking. This is with a view to the exploration of Virtual Production concurrently in Module 2 deemed Future Filmmaking. It is important to consider the ways in which each module in semester 1 inform and relate to each other to give a wider set of considerations as we undertake semester 2 and 3.

The focus of this module is the acquirement and development of approaches to filmmaking utilising traditional set and location techniques. The module can be focussed upon the aspirations of the individual, extending knowledge already held or developing new skill sets to support next steps through the degree.

You will work on applied skills in production including preproduction, camera, lighting, performance, edit and sound skills and build an understanding of all production roles in film practice. These techniques will be applied to practical film production work that is informed by individual skill implementation.

You will also engage with broader implications of filmmaking practice such as location-based production and studio-based filmmaking.

You will develop the skills to justify the chosen techniques, technology and practice based on consideration of the approaches to filmmaking covered in this first module and first semester.
Web Descriptor
To progress and develop we need a strong foundation. Filmmaking, Module 1 offers you the opportunity to extend existing skills and to acquire new ones. This module links to the other semester 1 modules in establishing core technical and creative skills which you will use as you progress through the degree.
Learning Strategies
This module will develop your understanding of filmmaking practice through engaging with problem-based learning which will be used to contextualise the development of solutions using the skills and techniques developed through the module.

Workshops will introduce and extend concepts and approaches to build your knowledge and understanding of the subject and enable you to develop your applied skills across a range of production tasks with relevant production tools. Technical Instruction will build your competence in the setup and operation of a range of production equipment and post-production tools.

Seminars and discussions will expand your awareness and understanding of the implications and guiding factors around filmmaking practice.
Reference Texts
Chapman, J, Glancy, M and Harper, S (2007) The New Film History: Sources, Methods, Approaches. London: Palgrave Macmillan.


McDonald P and Wasko J (2007) The Contemporary Hollywood Film Industry. London: Wiley-Blackwell.
Resources
Portable video and audio recording equipment
Specialist Media Labs, Post-Production Editing, Sound Mixing, Colour Grading
Library Books and Journals
LinkedIn Learning
Academic Study Skills Tutors
Special Admission Requirements
None