This course extends the ideas explored in Introduction to New Media Art both in terms of practice and theory. At Level 3 students will be expected to present their work to the class and write an extended statement about the work at the end of the module. At this level students develop an extended critical dialogue about how meaning is created through their existing studio practice in fine art. Students will negotiate how this dialogue may be able to be expressed in one or more areas of new media including: photography, film/video, interactive media, mobile technologies, sound, sensor based technologies or online artefacts. Projects will take on a more complex agenda than at Level 2 and require a greater ability to embrace exploration and experimentation while considering integrating these new methods into their creative process. In order to develop an awareness of these movements and understand the intentions of the artists, the artwork of a variety of computer artists will be discussed.

Support materials such as research notebook and journal
[Learning Outcomes 1, 2]
The final piece of work on to be presented Online, CD, DVD or related artefact
[Learning Outcomes 1, 2, 4]
A statement of 250 words about the development and theoretical context of the work
[Learning Outcomes 1, 2, 3]
10 minute formal presentation of your proposal to the class
[Learning Outcomes 1, 2, 3, 4]

Lecture theatre
Computing facilities
Video production facilities
Data projector
Library

Sonic boom : the art of sound. 2000. London: Hayward Gallery.
Dixon, Steve. 2007. Digital performance : a history of new media in theater, dance, performance art, and installation, Leonardo. Cambridge, Mass. ; London: MIT.
Elwes, Catherine. 2005. Video art : a guided tour. London: I. B. Tauris.
Hill, Gary, Bruce Nauman, JoIrg Zutter, George Quasha, Lynne Cooke, and Australia National Gallery of. 2002. Gary Hill, Bruce Nauman : international new media art. Canberra, Australia: National Gallery of Australia.
Kimbell, Lucy. 2004. New media art : practice and context in the Uk 1994-2004. Manchester: Cornerhouse.
Knight, Julia. 1996. Diverse practices : a critical reader on British video art. Luton: John Libbey Media, Faculty of Humanities, University of Luton.
Lee, Yongwoo. 1998. The origins of video art, University of Oxford.
Maeda, John. 2000. Maeda@media. London: Thames & Hudson.
2004. Creative code. London: Thames & Hudson.
Meredieu, Florence de. 2005. Digital and video art, Chambers arts library. Edinburgh: Chambers.
Morgan, Robert C. 1992. Commentaries on the new media arts : fluxus & conceptual art, artists' books, correspondence art, audio & video art. Pasadena: Umbrella Associates.
Ravenal, John B., and Pipilotti Rist. 2002. Outer & inner space : Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson and the history of video art. Richmond, Va.: Virginia Museum of Fine Arts.
Rush, Michael. 1999. New media in late 20th-century art, World of art. London: Thames & Hudson. 2005. New media in art. New ed, World of art. London: Thames & Hudson.

Lectures
Technical Tutorials
Workshops
Research
Individual tutorials
Group seminars