2 items of Assessment (total word count 4000-6000 words):

1.(Portfolio) Adaptation 1: a set text adaptation (1500-2500 words) (LO 1, 2, 3, 5), together with an Evaluation (750-1000 words) (LO 4, 5, 6)

2.(Portfolio) Adaptation 2: a set text adaptation (1000-1500 words) (LO 1, 2, 3, 5), together with 2 Adaptation Reports (750-1000 words) (LO 1, 6)


Key Information Set:
Assessments: 100% Coursework

This module will exercise your ability to translate prose into screenplay form using set texts, chosen for their narrative complexity and variety of styles, with a view to an adaptation that not only reveals a grasp of the various ways in which literary adaptation 'problems' can be resolved cinematically, but is also imaginative, effective and appropriate. This is both a creative endeavour and a rigorous test of your professional skills and overall mastery of the craft of screenwriting. The Evaluation requires an in-depth analysis of the adaptation process as well as an appreciation of the primary text. The module's requirement that you assess modern classic novels with a view to adaptation (the Adaptation Reports) will further develop your literary appreciation as well as editorial skills complementary to those exercised in other Scriptwriting modules.

Writing Narratives (AM75462-4) or R.E.A.D. (AM75456-4)
or equivalent (AM25823-4 Introduction to Creative Writing).

Plus

Writing Pictures (AM75119-5)
or equivalent (Rewriting For Writers AM25826-5 or Introduction to Screenwriting ACTFSV75526-5)

Adapted screenplays available on internet.
Classic literature out-of-copyright available on the internet.
The Blackboard virtual learning environment will be available (where relevant) to support this module. Details will be supplied in the module handbook.

Cartmell, D. & Whelehan. I. (1999) Adaptations: From Text to Screen, Screen to Text: Routledge
Leitch, T. (2012) Film Adaptation and its Discontents: Routledge
Seger, L. (1992) The Art of Adaptation: Turning Fact and Fiction into Film: Henry Holt
Stam, R. (2005) Literature Through Film: Realism, Magic, and the Art of Adaptation: Wiley-Blackwell
Tierno, M. (2002) Aristotle's Poetics for Screenwriters: Storytelling Secrets from the Greatest Mind in Western Civilisation: Hyperion

A full list of recommended reading is listed in the Module Handbook

An introductory lecture will establish the necessary intellectual approach to this module, and provide an overview of the subject area. You will be given general guidance and provided with the set texts for adaptation. Working independently and managing your own time throughout each semester, you will consult regularly with your tutor by appointment and receive feedback, constructive criticism and technical guidance, as well as engaging in general discussion of the ideas and issues raised by this process.

You will be expected to read several novels and to undertake independent research and study in order to fulfil the brief and effective time management will be key to your success.

Key Information Set:
Learning & Teaching:
3% scheduled activities
97% guided independent learning