None.

Music Technology Labs and relevant Digital Audio Workstation software

Alkin, G., 1996. Sound Techniques for Video and TV. London: Focal Press (ISBN: 0240512774)
Grant, T., 2002. Audio for Single Camera Operation. London: Elsevier Science and Technology (ISBN: 0240516443)
Nisbett, A., 2003 The Sound Studio - Audio Techniques for Radio Television Film and Recording (7th Revised edition). UK: Elsevier Science and Technology (ISBN: 0240519116)
Rose, J., 2002 Producing Great Sound for Digital Video (2nd edition) CMP Books (ISBN-10: 1578202086)
Yewdall, D.L., 2007 Practical Art of Motion Picture Sound? (3rd edition) Focal Press (ISBN-10: 0240808657)

The module will cover the process of synchronising audio within a film environment and given tuition in the creation and processing of Foley Effects. You will consider the choice of foley effects and how these elements are integrated to achieve a soundscape for a film clip. You will become familiar with the creation of foley, dialogue and music replacement and synchronization of these elements to a film clip.

A REPORT (2000 words maximum) weighted at 50%. A GROUP PRACTICAL ASSIGNMENT weighted at 50% both assessing Learning Outcomes 1, 2 and 3.

3 hours per week lecture / practical x 8 weeks (groups of 25)
3 hours per week practical x 4 weeks (groups of 25)