On this module student will explore and study
The history of synthesis and sampling
Synthesis and sampling using a variety of technologies.
A variety of software applications, modular systems and analogue synthesisers.
The design of synthesisers using various traditional and contemporary techniques such as subtractive, modulation and granular synthesis
Programming of synthesisers for creative sound design
MIDI implementation within electronic musical instruments and application of MIDI within computer systems
An introduction to multi-sample creation utilising DAW based software tools.
Adaptation of pre-existing creative software tools such as synthesiser preset patches.
The development of creative software tools in environments such as VCV Rack and Reaktor.

Sampling
Record and compile a multisample patch to fulfil a brief provided by the lecturer. This will be demonstrated in a 15 minute demonstration where the approaches chosen and the underlying philosophy is explored, and a reflection on the choices made in implementing MIDI in a creative and practical way. (Learning Outcomes 1,3, & 4) (50%)

Synthesis
Design an original synthesiser application to meet a specification provided, choosing and utilising a suitable software package. This will be demonstrated in a 15 minute demonstration where understanding of the synthesis approaches and the overall approach will be explored and a reflection on the choices made in implementing MIDI in a creative and practical way.(Learning Outcomes 1,2,3 & 5) (50%)

1 x 3-hour laboratory session per week.

1. Demonstrate a critical understanding of established concepts within the areas of synthesis and sampling technology, including in depth knowledge of analogue, hybrid and digital systems. Knowledge and Understanding

2. Apply the underlying philosophies of synthesis and midi in a practical and flexible manner to create new synthesis programs. Application, Knowledge and Understanding

3. Show an in depth understanding of midi technology and its implementation in hardware and software. Learning, Reflection

4. Demonstrate in depth understanding of sampling principles. Knowledge and Understanding

5. Design advanced software synthesis tools. Application, Problem Solving

Media stores / resource centre Music laboratories
Computer running
Reaktor
Ableton Live and Max for Live
VCV Rack

Doepfer Modular synth
EDM workstation
Books, eBooks and audio recordings via the Library
LinkedIn Learning Training library

Bayle, J. (2013) Max for Live Ultimate Zen Guide.

Boulanger, R. (2000) The Csound book : perspectives in software synthesis, sound design, signal processing and programming.

Collins, Nicolas. (2020) Handmade Electronic Music: The Art of Hardware Hacking. 3rd edition. New York:
Routledge.

Huber, D. M. (2007) The MIDI Manual: A Practical Guide to MIDI in the Project Studio. Focal Press

Manzo, V. J., and Will Kuhn. (2015) Interactive Composition: Strategies Using Ableton Live and Max for Live. New York, NY: OUP USA.

Manning, P. (2004) Electronic and Computer Music. OUP USA.

Miranda, Eduardo. (2002) Computer Sound Design: Synthesis Techniques and Programming. 2nd ed. Focal Press.

Roads, C. (1996) The Computer Music Tutorial. MIT Press.

Russ, Martin. (2008) Sound Synthesis and Sampling. 3rd ed. Focal Press.

Shepard, Brian K. (2013) Refining Sound: A Practical Guide to Synthesis and Synthesizers. New York: OUP USA.

Vail, Mark. (2014) The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument. New York City: OUP USA.

Creating interesting and engaging sounds is a big part of modern composing, sound design and production. This module will give you the tools you need to shape amazing sounds and the tools that create them. Your work in this module will focus on the practical skills you need in synth programming and sampling.