This module engages the student in techniques and theory used in preserving and enhancing the quality of digital audio recordings. Digital audio systems are investigated from the recording system to final medium. Best practice in producing high quality mastered audio is studied and reflected upon. Students also investigate suitable hardware processors that are used in mastering. The following areas are covered:
1. Audio Processing and Mastering in Stereo and Surround
2. Signal Preservation and restoration in Digital Audio
3. Equipment Specification and system interconnection
4. Music Post Production

PRESENTATION weighted at 100%
Mastering of Audio material assessed by a 40-minute presentation* (100%) assessing Learning Outcomes 1, 2 and 3.

*Presentations will be recorded and archived for review by the external examiner

Holman, T. (2007) Surround Sound: Up and Running: 2. Focal Press
Katz, B. (2007) Mastering Audio the Art and Science. Second Edition. Focal Press
Owsinski, B. (2014) The Mastering Engineer's Handbook. Delmar
Watkinson, J. (2001).The Art of Digital Audio. Focal Press

The FACT Technology Laboratories and Studios

Media stores / resource centre
Music laboratories
Multichannel diffusion rig

Ableton Live software
Cycling 74 Max software (with additional third-party externals by IRCAM)
Processing software
Quartz Composer
Various additional third-party audio plug-ins by McDSP, Avid, Eventide, Michael Norris.

Microsoft Office software

Books, eBooks and audio recordings via the Library
Lynda.com Training library

1. SHOW A SYSTEMATIC UNDERSTANDING OF THE TECHNOLOGY BEHIND THE OPERATION OF DIGITAL AUDIO PROCESSING AND MASTERING SYSTEMS.
[Enquiry]

2. APPLY ADVANCED TECHNIQUES FOR MUSIC POST-PRODUCTION AND MASTERING OF DIGITAL AUDIO. [Application]

3. EVALUATE METHODOLOGIES INVOLVED IN THE CONFIGURATION OF ANALOGUE AND DIGITAL MASTERING SYSTEMS.
[Application; Reflection]

3 hours taught lectures/tutorials per week over 13 weeks, 1hour of technical instruction and 110 hours of independent study.