This module engages the student in techniques and theory used in preserving and enhancing the quality of audio recordings. Digital and analogue audio systems are investigated from the recording system to final medium. Students investigate suitable software and hardware processors that are used in mastering. Best practice in producing high quality mastered audio is studied and reflected upon. Surround, multichannel and spatial audio formats are also explored. The following areas are covered:
1. Audio Processing and Mastering in Stereo and Multi-channel formats
2. Spatial audio, surround formats and high-definition audio
3. Loudness issues and standards
4. Best practice in audio production and processing
5. Audio Post-Production

Coursework – A Portfolio of Practical Work – 70% assessing learning outcomes 1 and 2

2000 word Essay – 30% assessing learning outcomes 2 and 3

2 hours taught lectures/tutorials per week over 13 weeks, 1 hour of technical instruction and 111 hours of independent study.

1. APPLY ADVANCED TECHNIQUES IN MUSIC POST-PRODUCTION AND MASTERING OF MUSIC.
Application

2. EVALUATE METHODOLOGIES AND TECHNIQUES INVOLVED IN THE PRODUCTION OF STEREO, MULTI-CHANNEL AND SPATIALISED AUDIO
Application; Reflection

3. DEMONSTRATE A COMPREHENSIVE UNDERSTANDING OF SUITABLE AUDIO SYSTEMS FOR PRODUCTION OF HIGH-QUALITY AUDIO
Analysis; Enquiry

The Cadman Music Laboratories and Studios
Media stores / resource centre
Music laboratories
Multi-channel studio and monitoring system
Hardware Signal Processors

Digital audio workstation
Various additional third-party audio plug-ins by McDSP, UAD, Waves.
Microsoft Office software
Books, eBooks and audio recordings via the Library
LinkedIn Learning Resources

Holman, T. (2007) Surround Sound: Up and Running: 2. Focal Press
Katz, B. (2014) Mastering Audio the Art and Science. Third Edition. Focal Press
Owsinski, B. (2014) The Mastering Engineer's Handbook. Delmar
Watkinson, J. (2001). The Art of Digital Audio. Focal Press