1. DEMONSTRATE THE ESSENTIAL SKILLS AND TECHNIQUES TO REHEARSE AND PERFORM EMBRACING APPLIED PERFORMANCE TECHNIQUE AND SKILLS, PROFESSIONAL ETIQUETTE AND STANDARDS DURING ALL PARTS OF THE PRODUCTION PROCESS.
Knowledge and Understanding
Application

2. DEMONSTRATE AN ABILITY TO WORK EFFECTIVELY WITH KEY CREATIVE AND TECHNICAL PERSONNEL THROUGH THE ENTIRE PRODUCTION PROCESS IN A POSITIVE AND CONSTRUCTIVE MANNER.
Working with others

3. ASSIMILATE AND REPRODUCE CREATIVE CONTENT, THROUGH REHEARSAL TO PERFORMANCE, SOLVING PROBLEMS AS THEY ARISE DURING ALL PARTS OF THE PRODUCTION PROCESS.
Problem solving

4. CRITICALLY EVALUATE YOUR OWN PROGRESS AS A PERFORMER THROUGH THE REHEARSAL AND PERFORMANCE JOURNEY AND HOW IT HAS BEEN INFORMED BY THEORY AND CURRENT PRACTICE.
Reflection

Assessment 1 - Performance (80%)
A performance that is the culmination of disciplined preparation and rehearsals and applied performance technique and skills. [Learning Outcomes 1, 2, 3]

Assessment 2 - Evaluation (20%)
A critical evaluation of your contribution to the disciplined rehearsal and preparation process for the final performance. [Learning Outcomes 4]

This module enables you as a performer to rehearse in preparation for a performance where you are able to apply your performance technique and skills.

The opportunity for you to refine your skills and techniques through the rehearsal of performance material is an essential skill for a performer. The emphasis will be on all cast members to ensure the production reflects professional industry expectations and standards; therefore you must commit to the rehearsal process whatever role you may be playing.

Professional etiquette with reference to ethics and health and safety is a mandatory requirement in order to allow the performance to reach potential for all performers. All individuals will channel their own research, practical techniques, skills and reflection through rehearsals and eventually to performance.

Throughout the process you will be supported by ongoing assessment in order to identify areas for development both individually and as a whole cast to meet the demands of the performance. Through group discussion and workshops you will be expected to engage in critical reflection allowing for immediate action points to be implemented. These may be informed by peer, tutor and potentially audience feedback. You will also be reflecting on group and individual dynamics, input and authenticity, development and application of your role through your performance skills and those of the group.

You will be expected to engage in research, including the exploration of theoretical frameworks, to inform your creative approach to the production as a whole and the development of your role. Reflective practice, whether written or verbal, will be a vehicle for sharing the insights you have gained through this research and an opportunity to articulate your experiences on your journey through the creative process, including how your practice has been informed by theoretical understanding and analysis of the subject. It will address the practical considerations you faced in preparing, with others, for the application and commitment to the performance and will demonstrate your understanding and appreciation of the process of preparing for performance.

You will be assessed on your ability to work in a conscientious, supportive, committed manner - embracing etiquette, dedication, focus, research and ability to take direction and advice, together with your ability to faithfully reproduce for the stage the performance role that has been created, explored and delivered in the rehearsal process.

Strategies in this module place an emphasis on practical work, in order that learning is focussed on building creative and technical skills associated with acting in, and producing a live theatre performance with an audience. This will be facilitated through the following:
¿ Introduction to the module and explanation of the assessment criteria
¿ Performance technique classes and workshops
¿ Theory workshops
¿ Casting / auditions
¿ Rehearsals / dress rehearsals / technical rehearsals
¿ Performance
¿ Tutorials
¿ One to one reviews
¿ Independent research
¿ Group Discussion and critique
¿ Reflective practice

Performance Studio
Theatre Space
IPADs
CD / USB / iPod Boom Box
Internet and IT Access
Licenced rehearsal material
Assorted Costumes / Props

Brook, P (2008) The Empty Space: Penguin
Cain, L (2017) Transmissions in Dance: Staging Contemporary Practices:Palgrave MacMillan
Cramer, L (2013) Creating Musical Theatre: Methuen Drama
Flatt, K (2019) Choreography: Creating and Developing Dance For Performance: The Crowood Press
Taylor, M. & Symonds, D. (2014) Studying Musical Theatre: Theory and Practice: Palgrave Macmillan

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